Chinese Calligraphy

"The Dao of Chinese Insight Calligraphy" by Bio Sattva is now

"The fundamental philosophical principle of yin and yang is reflected in every aspect of Chinese calligraphy. [...] The study of Chinese calligraphy is not only a study of Chinese writing. In many ways, it is also a study of Chinese philosophy and the Chinese worldview. Aesthetic principles and standards are rooted in cultural and philosophical tenets, and Confucianism and Daoism form the basis of Chinese culture. Of the two Daoism has the stronger influence on art. It is no exaggeration to say that Daoism, from its place at the core of Chinese culture, is the spirit of Chinese art. Many characteristics of Chinese calligraphy reflect Daoist principles." - Wendan Li, Chinese Writing & Calligraphy (University of Hawai‘i Press. 2009), p175


"You can buy the ink, the rice paper, the brush, but if you don't cultivate the art of calligraphy, you can't do calligraphy." - Vietenamese Zen teacher and mindful calligrapher, Thich Nhat Hanh, The Art of Power (2007), p81

"The Zen way of calligraphy is to write in the most straightforward, simple way as if you were a beginner, not trying to make something skillful or beautiful, but simply writing with full attention as if you were discovering what you were writing for the first time; then your full nature will be in your writing. This is the way of practice moment after moment." - Richard Baker Roshi, Introduction,
Zen Mind, Beginner's Mind (1995), p14.